Houdini did not use doubles for the risk scenes of his films. There is another myth regarding his visit to the last tsar, in which it is claimed that he ridiculed Rasputin himself, but there is no real evidence about this event. Contrary to what some legends claim, he did not do so as a spy at the height of the First World War, but to return as a star after surprising, among others, William II and the Romanovs. ![]() Germany, England and Russia were some of its destinations. He then made several films The Grim Game (1919), Terror Island (1920), and with his own production company The Man from Beyond (1921) and Haldane of the Secret Service (1923). Each episode ended at the climax of the scene, forcing viewers to return a week later to see how they continued. They lasted about 8 minutes, he showed his talent as an escapist and did not use doubles for risk scenes. His debut was with The Master Mystery, a 15-episode serial that played before the films. Tony Curtis, Norman Mailer and Adrien Brody are some of the names that played the great illusionist, on the big or small screen, in the more than 10 adaptations that were made about his life, but Houdini also went through the cinema. For many years, the public believed that it had really happened. There he told how he was trapped in a pyramid and what he had to do to escape. He wrote Imprisoned with the Pharaohs for the illusionist. The rest of the time he waited until his triumphant appearance he did so to feed his legend. Actually, it only took him a minute to break free. After 5 minutes, the audience shouted to be taken out and when the man in the mace was about to break the bucket, he appeared from behind. An assistant with a mace in case something went wrong, a huge clock and the weather that the musicians on stage gave him completed the wonderful act. ![]() To make the scene more dramatic, a master of ceremonies asked people to hold their breath, which of course they couldn't beat Houdini's training. He took them from expectation to the horror of seeing time go by and not showing up. It was his masterpiece, the morbidity and tension it generated in the audience was tremendous. He entered face down in a bucket full of water, tied by high security locks. While all his escapes captivated, there was one in particular that elevated him to myth, one that is still dangerous today: the aquatic torture cell. Houdini prepared for one of his escapism tricks (Wikipedia: Library of Congress of the United States) They also used to chain him in every possible way and he threw himself off public bridges and then swam out to the applause and admiration of thousands. Those escapes consisted of being hung upside down, tied by a straitjacket, and he freed himself from all the ties in the sight of all. Thousands of people gathered to see their escapes and I chose an easily accessible setting, where as many people as possible could see it. ![]() ![]() Houdini took magic to the streets, on a scale that no one had done before. The literacy large masses of the American population and the consequent rise of the written press did not escape the mind of the magician, who used that popularity to rob his own. For example, he hired seven bald men who roamed the city before his presentation and suddenly hunched his head, where each of the letters of his surname was written. In that sense, Houdini was also the founder of an advertising model that, through technological changes through, is still used to this day. This was just one of his promotional tricks. He was in charge of warning the press, which followed him everywhere because his exploits, as they began to be published, became material that increased sales. It was a great staging that prepared down to the smallest detail. Within 10 minutes, he had usually freed himself, appeared before the mayor and shackled him. When he came to a place, the first thing he asked was to be locked up in the safest prison, practically naked and chained.
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